Return to Content How the future will impact your fantasy story characters Science fiction writers are praised for imagining the future with great foresight. Understanding the long-term cause and effect of events in your fantasy world will help you also give readers a more complex and vivid mental picture.
Subscribe to our FREE email newsletter and download free character development worksheets! Rachel Scheller September 10, One of the main concerns writers should have when planning and writing a series is consistency.
But what does it mean to be consistent? Why is this so important? Wiesner discusses the five major red flags of inconsistency—and what you can do to prevent them in your own fiction series. A deus ex machina situation is one in which an improbable event or element is introduced into a story to resolve all the problematic situations and bring the story to a close.
In a conventional Greek tragedy the producers actually lowered an actor playing a god onto the stage at the end of the play and he resolved all the conflicts. Talk about unsatisfying for the audience! Any author worth his salt needs to create plausible backstory and motivation for every action, and she has to make characters heroic enough to solve their own problems.
In other words, you go from one situation to the next without any explanation for the radical change. If you want something to be believable, you need to set it up logically and you need to set it up early enough so it will be readily accepted by the reader.
That absolutely requires advance planning. Changed Premise This category includes information given in one episode that directly contradicts information in another.
In a series this can be fatal. If your book series has a Changed Premise from one book to the next, readers will lose respect. If anything concerning character, plot, or setting conflicts with something that was previously established, it would fit under the Changed Premise heading.
Names and jobs can also accidentally change through the course of a series. For instance, in The X-Files both main characters used cell phones throughout most of the series, but the phones were used inconsistently, in ways that forced the viewers to question the logic.
In one episode, Mulder was trapped underground in the middle of a desert called Nowhere—was there actually a cell phone tower nearby that allowed him to get good reception?
Continuity and Production Issues Again, in both The X-Files and Star Trek, errors often crept up as a direct result of someone on staff not checking the manual or previous episodes before going ahead with the episode. How often was a setting shot reused and only slightly altered in Star Trek because coming up with something new would have been expensive or time consuming?
Not only that, but the Romulans also used Klingon weapons. Readers will feel your impatience and probably wonder why you skimped.
If you give a character two birthdays or have him get younger instead of older as a series progresses, these are less crucial issues but nevertheless problems. Unanswered Questions If the author is never going to answer a nagging question, why invest anything, especially time and passion, in the series?
While each book in the series must have satisfactory individual story arc resolutions, all series-arc questions must be answered in the final book of the series or readers will be furious, perhaps enough to ban you as an author for life.
Do it now and take heed! Think of it this way:Mar 04, · Historical Fantasy is not an easy genre write, and even harder to write well.
Here are a few tips I picked up while writing my historical fantasy series, "The Year of the Dragon". webkandii.com: KMN Books. The online Fantasy Story Writing Course from Oplex Careers has been designed to help learners understand the skills involved with writing creative and unique fantasy stories, discussing the importance of characters, plot building, your backstory and more.
The soul of a good horror story isn’t the terrifying killer, it’s the fear of what the killer is going to do. A good horror story exposes just enough for the reader to know something isn’t right, but not enough for readers to know why until the end.
The Motor Mouth trope as used in popular culture.
A character who speaks if not constantly then often so quickly that it's hard to make out individual words . It’s the very essence of any good fantasy or science fiction story, and the basis of a sense of place in other genres.
Good world-building lends an immersive richness to your writing, while also giving readers the information they need to understand characters and plot lines. Unless you understand the world in which your characters live, you won’t be able to write realistic and consistent characters.
A character’s world plays a huge part in forming who they are.